![]() ![]() Adjust whites, reds, greens, and blues individually. Use Curves adjustments to tweak skin tones and other important hues. Make individual adjustments to each clip if necessary. Looks are similar to LUTs, except they aren’t stuck at 100% - you can adjust the intensity using the slider.Īfter applying your edits to your entire project, click through to ensure that the colors in each of your individual clips are set how you’d like them. Or add a Look to apply an overall filter to your footage. Use the color wheels to add a shadow tint or a highlight tint. Under the Creative tab, you can adjust things like sharpness, vibrance, saturation, and luminance. Use sliders to fix issues with exposure, contrast, highlights, shadows, white levels, and black levels. Play with your Tone settings to get highlights and shadows just right. If you have a test shot of a white sheet of paper, this is the time to use it. Or use the WB Selector eyedropper to tap on something that should be true white in your footage. Set your white balance by manually shifting the Temperature and Tint sliders. ![]() Next, tweak your basic color settings one by one by opening the Basic Correction tab. Or you can click Custom to create your own. You can download LUTs online and import them into Premiere Pro by clicking Browse under Input LUT. Each camera has its own quirks, like shooting with a slightly green tint, and an LUT may have been created to correct for those quirks. Lookup tables - or LUTs - are color correction presets designed for specific camera types or shooting conditions. If somebody is celebrating their wedding and it’s a really blue video, the color is going to make you sad.” “Color grading really sets the tone and helps draw your audience into the story that you’re creating,” says Dougan. Washing your footage in more blue tones can help it feel somber, whereas a happier type of video might look best with warmer hues. If your film is a gritty crime drama, you might want to try hues of a cooler color temperature. Grading is a look.”Īfter you’ve corrected the color across your entire project, you’re ready to add some color effect. “If you have 60 shots and they’re all completely different, you want to go in and make sure that every one of them is completely balanced before you color grade,” says Dougan. ![]() Color correcting first to ensure you start with balanced, natural-looking colors before you color grade means you start on an even footing. This infuses your project with a visual tone and conveys the emotions you want the audience to feel. ![]() During this phase, you can apply an overall style to the coloring of your film. The next step after color correction is color grading. The idea there is you’re adding style.”Ĭolor grading gives your footage an edge. And then color grading is more of an after effect. The idea would be to make sure that there are equal reds, greens, and blues in your image. “What you want to do is bring tones to a neutral, balanced look. “Color correction is not about style, it’s more about color accuracy,” says filmmaker Colin Dougan. Correcting white balance helps all your colors be more true to life. If your camera or lighting situation made your whites appear blue in your footage, you would correct those areas to be closer to true white throughout all your clips during this phase. The goal of this technical process is also to match the colors between each of your video clips so they are unified.ĭuring color correction, you can tweak things like exposure, contrast, and white balance and ensure that important hues like skin tones are accurately represented. Color correction is the first step, and it involves fixing issues with the color of your footage so it matches how hues and tones appear in the world. While the terms color correction and color grading are sometimes used interchangeably, they represent two distinct phases in the video editing process. Some cinematographers even bring in specialists called colorists to handle these steps. Because of this, making color adjustments is a critical part of the post-production process in filmmaking. Raw video footage looks a bit off from the colors we see in the real world. No matter how good your lighting setup is when you shoot a video, your camera won’t be able to capture colors as accurately as the human eye does. ![]()
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